The harvest season has finished here in Japan.
This is my deceased mother's work of embroidery,cross-stitch, during her late life.
I remembered that she made the stitch one by one sitting hunched up over the cloth. Her figure like this overlapped in my mind with the women who are gleaning crouching their back onto the field.
根つめて描(か)かれしならむ 腰かがめ女の指は落ち穂を掴む
It must be a pain taking labour
and the depiction, too
The women bending down
to do "Gleaning"
just have clutched some of the wheat-ears
It must be a pain taking labour
and the depiction, too
The women bending down
to do "Gleaning"
just have clutched some of the wheat-ears
The design of the embroidery is from a famous picture, "Gleaning"by Jean-Francois Millet.(1814-1875)
Regarding to Millet, there is an unforgettable article for me that said about his works. It was like this: Millet chose labour as his subject for his drawing and people in the Salon des Beaux Arts at that moment(19C ) astonished and rejected his works with sense of avertion, because such subject had never chosen by painters up to that time.
That description made me get a jolt, as I had thought works by Millet were in the category of classic paintings.
While new point of views and ideas as well as some technical innovation are required for artists in every genre, some unprecedented ones tend to be alienated.
It seems that Millet's ones were not exceptional, and it took long time to be finally accepted by the people in Salon des Beaux Arts.
He depicted scrupulously, as it is well known, the daily lives of farmers, their struggling with cattle, taking care of children by wives, and so on. These pictures make viewers feel his exact and warm eyes.
(image from Wikipedia) The first experience for me to see some showpiece was the one by him,
"The Angelus", not a genuine one but a copy in retrospect.
Despite the picture was filled with tranquillity, I certainly heard the evening bell, beeing overwelmed and seeing it.
I was the fourth grade student of elementary school, and the picture was hanging on a wall of a corridor that led to a music room.